Areas of specialization 

Concert proscenium and stage work 

My work travels through the choreographic play between the peripheral and central approaches of our bodies’ kinesphere, and excessive attention and utilization of space. I explore dynamic phrasing, footwork, and rhythms using the proscenium format to explore perspectives through unconventional choreography approaches. Focusing on the fusion of contemporary, modern, and jazz dance with expressive range, rooted in both traditional and contemporary approaches, expressive physicality, and storytelling.

Screendance

My films explore high use of interruptions, linear and non-linear narrative structures, and spatiotemporal (relating to space and time) discontinuity. Inspired by the rich history of women in avant-garde cinema and dance film, and by the intersection of pop culture, mass media, and digital aesthetics and audience engagement with screens. My films join multiple disciplines across the production workflow and incorporate photography, scriptwriting, live screenings, and site-specific elements.  Screendance is a vital extension of my choreographic language, allowing me to reach broader audiences, archive my explorations, and reimagine how stories are told and experienced

Commercial and Dance Team work 

Collaborating with musical artists, directors, writers, producers, K-12 and collegiate-level institutions. Creating high-impact, visually appealing, and dynamic choreography for stage, screen, competitions, showcases, and live entertainment, blending artistry with commercial needs.

Distant Images- Episodic Dance Film series